{"title":"Art","description":"\u003cp\u003eBooks celebrating art and architecture\u003c\/p\u003e","products":[{"product_id":"apartamento-magazine-issue-34","title":"Apartamento Issue #34","description":"\u003cp\u003eAutumn \/ Winter 2024\u003c\/p\u003e\n\u003cp\u003eFeaturing: Espace Aygo, Ronan Bouroullec, Rose Wylie, Agosto Machado, Miyako Bellizzi, SAGG Napoli, Jane Dickson, Luca Lo Pinto, Gary Schneider \u0026amp; John Erdman, Celeste, Beca Lipscombe, Edgardo Giménez, Molly Manning Walker, Danny Fox, Bethan Laura Wood, Tove Jansson, and Olivia Laing. Plus: Texts by Phoebe Chen, Wale Ayinla, Janika Oza, Thea McLachlan, Miguel Ángel Hernández (tr. Fionn Petch), Claudia Durastanti, Elena Saavedra Buckley, and Maria Judite de Carvalho (tr. Margaret\u003cbr\u003eJull Costa); and ‘The Kid with No Dad’, a short story by Alejandro Zambra (tr. 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Suzanne Jill Levine), Lina Soualem, Yilin Wang, Nate Lippens, and Hiroko Oyamada (tr. David Boyd)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Apartamento","offers":[{"title":"Default Title","offer_id":42512325509238,"sku":"210000017267","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/6296\/2294\/files\/Apartamento_Issue35.jpg?v=1764869219"},{"product_id":"carrie-mae-weems-the-shape-of-things","title":"Carrie Mae Weems: The Shape of Things","description":"\u003cp class=\"redstrong\"\u003eA grand panorama of race and civil unrest in America’s past and present.\u003c\/p\u003e\n\u003cp\u003eCarrie Mae Weems has often confronted the uncomfortable truths of racism and race relations over the course of her nearly 40-year career. In \u003ci\u003eThe Shape of Things\u003c\/i\u003e she focuses her unflinching gaze at what she describes as the circuslike quality of contemporary American political life. For this new work, Weems created a seven-part film projected onto a Cyclorama—a panoramic-style cylindrical screen that dates to the 19th century—where she addresses the turmoil of current events in the United States and the “long march forward.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDrawing on news and TV footage from the civil rights era to today, elements of previous films such as \u003ci\u003eThe Madding Crowd\u003c\/i\u003e (2017) and new film projects that bring us into our tumultuous present, the films in \u003ci\u003eThe Shape of Things\u003c\/i\u003e combine documentary directness with poetic rhythm to create an enveloping experience. The films are narrated by Weems, and the layering of her resonant voice with these images articulates the dangerous mounting resistance to the “browning of America.” As Weems shows in these powerful works, America is irreversibly changed and changing.\u003c\/p\u003e","brand":"ARTBOOK | D.A.P.","offers":[{"title":"Default Title","offer_id":42512376332406,"sku":"210000016793","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/6296\/2294\/files\/TheShapeOfThings_01.jpg?v=1776882477"},{"product_id":"weaving-at-black-mountain-college-anni-albers","title":"Weaving at Black Mountain College","description":"\u003cp\u003eA detailed study of the role and legacy of weaving at the legendary Black Mountain College. \u003c\/p\u003e\n\u003cp\u003eIn the mid-twentieth century, Black Mountain College attracted a remarkable roster of artists, architects, and musicians. Yet the weaving classes taught by Anni Albers, Trude Guermonprez, and six other faculty members are rarely mentioned or are often treated as mere craft lessons. This was far from the case: the weaving program was the school's most sophisticated and successful design program. About ten percent of all Black Mountain College students took at least one class in weaving, including specialists like textile designers Lore Kadden Lindenfeld and Else Regensteiner, as well as students from other disciplines, like artists Ray Johnson and Robert Rauschenberg and architects Don Page and Claude Stoller. Drawing upon a wealth of unpublished material and archival photographs, Weaving at Black Mountain College rewrites history to show how weaving played a much larger role in the legendary art and design curriculum than previously assumed.\u003c\/p\u003e\n\u003cp\u003eThe book illustrates dozens of objects from private and public collections, many of which have never been shown in this context. Essays explore connections and networks fostered by Black Mountain weavers; the ways in which weaving at the college was linked to larger discourses about weaving and craft; and Bauhaus influences transmitted by way of Anni Albers. The book also includes works by five contemporary artists that connect and respond to the legacy of weaving at Black Mountain College today.\u003c\/p\u003e","brand":"W. W. Norton","offers":[{"title":"Default Title","offer_id":42552600756342,"sku":"9780300273564","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/6296\/2294\/files\/WeavingAtBlackMountainCollege_01.jpg?v=1764450609"},{"product_id":"women-of-abstract-expressionism","title":"Women of Abstract Expressionism","description":"\u003cp\u003e\u003cem\u003eWomen of Abstract Expressionism\u003c\/em\u003e is a long-overdue survey, exploring the techniques, concerns, and legacies of women in Abstract Expressionism. Lavishly illustrated with full-color plates emphasizing the expressive freedom of direct gesture and process at the core of the movement, this book features biographies of more than forty artists, offering insight into their lives and work. This groundbreaking book reveals the richness of the careers of these important artists and offers keen new reflections on their work and the movement as a whole.\u003c\/p\u003e","brand":"W. W. 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Though it operated for only 24 years, this pioneering school played a significant role in fostering avant-garde art, music, dance, and poetry, and an astonishing number of important artists taught or studied there. Among the instructors were Josef and Anni Albers, John Cage, Merce Cunningham, Buckminster Fuller, Karen Karnes, M. C. Richards, and Willem de Kooning, and students included Ruth Asawa, Robert Rauschenberg, and Cy Twombly.\u003c\/p\u003e","brand":"W. W. Norton","offers":[{"title":"Default Title","offer_id":42552601542774,"sku":"9780300211917","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/6296\/2294\/files\/BlackMountainCollege_LookBeforeYouLeap_01.jpg?v=1762206683"},{"product_id":"interaction-of-color-50th-anniversary-edition","title":"Interaction of Color: 50th Anniversary Edition","description":"\u003cp\u003eJosef Albers’s \u003cem\u003eInteraction of Color\u003c\/em\u003e is a masterwork in art education. Conceived as a handbook and teaching aid for artists, instructors, and students, this influential book presents Albers’s singular explanation of complex color theory principles.\u003c\/p\u003e\n\u003cp\u003eOriginally published by Yale University Press in 1963 as a limited silkscreen edition with 150 color plates, Interaction of Color first appeared in paperback in 1971, featuring ten color studies chosen by Albers, and has remained in print ever since. 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Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’s legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground.\u003cbr\u003e\u003cbr\u003ePresenting an important and timely overview of the artist’s work, this monograph brings together a broad selection of her sculptures, works on paper, and more. Together the body of work demonstrates the centrality of Asawa’s innovative practice to the art-historical legacy of the twentieth century. In addition to an incredible group of photographs of the artist and her work by Imogen Cunningham, a selection of rare archival materials will illustrate a chronology of the artist’s life and work. Featuring an extensive text by Tiffany Bell which explores the artist’s influences, history, and, most importantly, the work itself, as well as a significant essay by Robert Storr discussing Asawa’s work in relation to mid-twentieth century art history, culture, and scientific theory.\u003c\/p\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":42572229902454,"sku":"9781941701683","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/6296\/2294\/files\/Bell_RuthAsawa_01.jpg?v=1769206275"},{"product_id":"rose-wylie-which-one","title":"Rose Wylie: Which One","description":"\u003cp\u003eThis comprehensive catalog of the work of the beloved artist Rose Wylie over the last five years, highlighting her expansive oeuvre of painting and drawing.\u003c\/p\u003e\n\u003cp\u003eInspired by film, pop culture, and the history of fashion as she experienced personally, Wylie harnesses a union of high and low culture with a bold technique of mark making. Her unique practice of material overlay and erasure creates fantastic compositions. Creating conceptual tensions between formal and informal aesthetics, Wylie employs the visual elements of text as formal details in her paintings. \u003c\/p\u003e\n\u003cp\u003eWith beautiful Swiss binding, this monograph compiles work from five exhibitions at David Zwirner, offering an impressive view of Wylie’s most recent work. Giving insight to Wylie’s feminist and rebellious impulses, Judith Bernstein writes an accompanying text on how she relates to Wylie’s ambitious and playful energy. This publication also features a foreword by Nicholas Serota and new essays by David Salle and Barry Schwabsky, in addition to an enlightening interview between the artist and Hans Ulrich Obrist.\u003c\/p\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":42572230459510,"sku":"9781644230756","price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/6296\/2294\/files\/RoseWylie_WhichOne_01.jpg?v=1776793653"},{"product_id":"giorgio-morandi-late-paintings","title":"Giorgio Morandi: Late Paintings","description":"\u003cp\u003eOne of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting.\u003c\/p\u003e\n\u003cp\u003eIncluded here are five of the ten iconic “yellow cloth” paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. \u003c\/p\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":42572231442550,"sku":"9781941701560","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/6296\/2294\/files\/Morandi_LatePaintings_01.jpg?v=1773864923"},{"product_id":"donald-judd-artworks-1970-1994","title":"Donald Judd: Artworks 1970–1994","description":"\u003cp\u003eOne of the most significant American artists of the postwar period, Donald Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate installations of wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd’s most recognizable forms, executed in materials such as Corten steel, plexiglass, copper, plywood, brushed aluminum, and painted aluminum. Brilliant and exacting reproductions capture these works in vivid detail. Following the major Judd retrospective at The Museum of Modern Art, New York, in 2020, this book serves as a companion volume.\u003c\/p\u003e\n\u003cp\u003eWith contributions from a wide range of voices—art historians, critics, writers, and performers— this publication includes rich new writings on Judd’s oeuvre, art criticism, and enduring influence. 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Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lives that treat simple objects as a cast of characters on a stage, exploring their relationship in space.\u003cbr\u003e\u003cbr\u003ePublished on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.\u003c\/p\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":42576425582710,"sku":"9781644230596","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0646\/6296\/2294\/files\/Morandi_NeverFinished_01.jpg?v=1764450790"},{"product_id":"didion-and-babitz","title":"Didion and Babitz","description":"\u003cp\u003e\u003cem\u003eCould you write what you write if you weren’t so tiny, Joan? \u003c\/em\u003e—Eve Babitz, in a letter to Joan Didion, 1972\u003cbr\u003e\u003cbr\u003eEve Babitz died on December 17, 2021. Found in the wrack, ruin, and filth of her apartment, a stack of boxes packed by her mother decades before. The boxes were pristine, the seals of duct tape unbroken. Inside, a lost world. 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Organized thematically and featuring paintings, drawings, prints, photographs and sculpture, the publication brings together some of the Museum’s most celebrated masterworks, contextualizing them across mediums and amidst lesser-seen but revelatory works. The selection of works by artists such as Edward Hopper, Georgia O’Keeffe, Charles Sheeler, Charles Burchfield and Stuart Davis includes urban and rural landscapes, scenes of industry, still-life compositions and portraiture. 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Works by Arthur Dove, Alfred Stieglitz and Andrew Wyeth, among others, suggest different possibilities in portraiture, and the diverse ways artists have thought about the figure and its absence as a way to capture their subject. 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